There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place,
the fight place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down
Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny
Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront,
or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment
high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio or Rome -- there's no limit to the human
capacity for the homing sentiment. Theologians, sky pilots, astronauts have even felt the appeal of home calling
to them from up above, in the cold black outback of intersteller space.
For myself I'll take Moab, Utah. I don't mean the town itself, of course, but the country which surrounds it
-- the canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky -- all that which
lies beyond the end of the roads.
The choice became apparent to me this morning when I stepped out of a Park Service housetrailer -- my caravan
-- to watch for the first time in my life the sun come up over the hoodoo stone of Arches National Monument.
I wasn't able to see much of it last night. After driving all day from Albuquerque -- 450 miles -- I reached
Moab after dark in cold, windy, clouded weather. At park headquarters north of town I met the superintendent and
the chief ranger, the only permanent employees, except for one maintenance man, in this particular unit of America's
national park system. After coffee they gave me a key to the housetrailer and directions on how to reach it; I
am required to live and work not at headquarters but at this one-man station some twenty miles back in the interior,
on my own. The way I wanted it, naturally, or I'd never have asked for the Job.
Leaving the headquarters area and the lights of Moab, I drove twelve miles farther north on the highway until
I came to a dirt road on the right, where a small wooden sign pointed the way: Arches National Monument Eight Miles.
I left the pavement, turned cast into the howling wilderness. Wind roaring out of the northwest, black clouds across
the stars -- all I could see were clumps of brush and scattered junipers along the roadside. Then another modest
signboard:
WARNING: QUICKSAND DO NOT CROSS WASH WHEN WATER IS RUNNING
The wash looked perfectly dry in my headlights. I drove down, across, up the other side and on into the night.
Glimpses of weird humps of pale rock on either side, like petrified elephants, dinosaurs, stone-age hobgoblins.
Now and then something alive scurried across the road: kangaroo mice, a jackrabbit, an animal that looked like
a cross between a raccoon and a squirrel -- the ringtail cat. Farther on a pair of mule deer started from the brush
and bounded obliquely through the beams of my lights, raising puffs of dust which the wind, moving faster than
my pickup truck, ought and carried ahead of me out of sight into the dark. The road, narrow and rocky, twisted
sharply left and right, dipped in and out of tight ravines, climbing by degrees toward a summit which I would see
only in the light of the coming day.
Snow was swirling through the air when I crossed the unfenced line and passed the boundary marker of the park.
A quarter-mile beyond I found the ranger station -- a wide place in the road, an informational display under a
lean-to shelter, and fifty yards away the little tin government housetrailer where I would be living for the next
six months.
A cold night, a cold wind, the snow falling like confetti. In the lights of the truck I unlocked the housetrailer,
got out bedroll and baggage and moved in. By flashlight I found the bed, unrolled my sleeping bag, pulled off my
boots and crawled in and went to sleep at once. The last I knew was the shaking of the trailer in the wind and
the sound, from inside, of hungry mice scampering around with the good news that their long lean lonesome winter
was over -- their friend and provider had finally arrived.
This morning I awake before sunrise, stick my head out of the sack, peer through a frosty window at a scene
dim and vague with flowing mists, dark fantastic shapes looming beyond. An unlikely landscape.
I get up, moving about in long underwear and socks, stooping carefully under the low ceiling and lower doorways
of the housetrailer, a machine for living built so efficiently and compactly there's hardly room for a man to breathe.
An iron lung it is, with windows and venetian blinds.
The mice are silent, watching me from their hiding places, but the wind is still blowing and outside the ground
is covered with snow. Cold as a tomb, a jail, a cave; I lie down on the dusty floor, on the cold linoleum sprinkled
with mouse turds, and light the pilot on the butane heater. Once this thing gets going the place warms up fast,
in a dense unhealthy way, with a layer of heat under the ceiling where my head is and nothing but frigid air from
the knees down. But we've got all the indispensable conveniences: gas cookstove, gas refrigerator, hot water heater,
sink with running water (if the pipes aren't frozen), storage cabinets and shelves, everything within ann's reach
of everything else. The gas comes from two steel bottles in a shed outside; the water comes by gravity flow from
a tank buried in a hill close by. Quite luxurious for the wilds. There's even a shower stall and a flush toilet
with a dead rat in the bowl. Pretty soft. My poor mother raised five children without any of these luxuries and
might be doing without them yet if it hadn't been for Hitler, war and general prosperity.
Time to get dressed, get out and have a look at the lay of the land, fix a breakfast. I try to pull on my boots
but they're stiff as iron from the cold. I light a burner on the stove and hold the boots upside down above the
flame until they are malleable enough to force my feet into. I put on a coat and step outside. Into the center
of the world, God's navel, Abbey's country, the red wasteland.
The, sun is not yet in sight but signs of the advent are plain to see. Lavender clouds sail like a fleet of
ships across the pale green dawn; each cloud, planed flat on the wind, has a base of fiery gold. Southeast, twenty
miles by line of sight, stand the peaks of the Sierra La Sal, twelve to thirteen thousand feet above sea level,
all covered with snow and rosy in the morning sunlight. The air is dry and clear as well as cold; the last fogbanks
left over from last night's storm are scudding away like ghosts, fading into nothing before the wind and the sunrise.
The view is open and perfect in all directions except to the west where the ground rises and the skyline is
only a few hundred yards away. Looking toward the mountains I can see the dark gorge of the Colorado River five
or six miles away, carved through the sandstone mesa, though nothing of the river itself down inside the gorge.
Southward, on the far side of the fiver, lies the Moab valley between thousand-foot walls of rock, with the town
of Moab somewhere on the valley floor, too small to be seen from here. Beyond the Moab valley is more canyon and
tableland stretching away to the Blue Mountains fifty miles south. On the north and northwest I see the Roan Cliffs
and the Book Cliffs, the two-level face of the Uinta Plateau. Along the foot of those cliffs, maybe thirty miles
off, invisible from where I stand, runs U.S. 6-50, a major east-west artery of commerce, traffic and rubbish, and
the main line of the Denver-Rio Grande Railroad. To the east, under the spreading sunrise, are more mesas, more
canyons, league on league of red cliff and arid tablelands, extending through purple haze over the bulging curve
of the planet to the ranges of Colorado -- a sea of desert.
Within this vast perimeter, in the middle ground and foreground of the picture, a rather personal demesne, are
the 33,000 acres of Arches National Monument of which I am now sole inhabitant, usufructuary, observer and custodian.
What are the Arches? From my place in front of the housetrailer I can see several of the hundred or more of
them which have been discovered in the park. These are natural arches, holes in the rock, windows in stone, no
two alike, as varied in form as in dimension. They range in size from holes just big enough to walk through to
openings large enough to contain the dome of the Capitol building in Washington, D.G. Some resemble jug handles
or flying buttresses, others natural bridges but with this technical distinction: a natural bridge spans a watercourse
-- a natural arch does not. The arches were formed through hundreds of thousands of years by the weathering of
the huge sandstone walls, or fins, in which they are found. Not the work of a cosmic hand, nor sculptured by sand-beating
winds, as many people prefer to believe, the arches came into being and continue to come into being through the
modest wedging action of rainwater, melting snow, frost, and ice, aided by gravity. In color they shade from off-white
through buff, pink, brown and red, tones which also change With the time of day and the moods of the light, the
weather, the sky.
Standing there, gaping at this monstrous and inhuman spectacle of rock and cloud and sky and space, I feel a
ridiculous greed and possessiveness come over me. I want to know it all, possess it all, embrace the entire scene
intimately, deeply, totally, as a man desires a beautiful woman. An insane wish? Perhaps not -- at least there's
nothing else, no one human, to dispute possession with me.
The snow-covered ground glimmers with a dull blue light, reflecting the sky and the approaching sunrise. Leading
away from me the narrow dirt road, an alluring and primitive track into no where, meanders down the slope and toward
the heart of the labyrinth of naked stone. Near the first group of arches, looming over a bend in the road, is
a balanced rock about fifty feet high, mounted on a pedestal of equal height; it looks like a head from Easter
Island, a stone god or a petrified ogre.
Like a god, like an ogre? The personification of the natural is exactly the tendency I wish to suppress in myself,
to eliminate for good. I am here not only to evade for a while the clamor and filth and confusion of the cultural
apparatus but also to confront, immediately and directly if it's possible, the bare bones of existence, the elemental
and fundamental, the bedrock which sustains us. I want to be able to look at and into a juniper tree, a piece of
quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities, anti-Kantian,
even the categories of scientific description. To meet God or Medusa face to face, even if it means risking everything
human in myself. I dream of a hard and brutal mysticism in which the naked self merges with a nonhuman world and
yet somehow survives still intact, individual, separate. Paradox and bedrock.
Well -- the sun will be up in a few minutes and I haven't even begun to make coffee. I take more baggage from
my pickup, the grub box and cooking gear, go back in the trailer and start breakfast. Simply breathing, in a place
like this, arouses the appetite. The orange juice is frozen, the milk slushy with ice. Still chilly enough inside
the trailer to turn my breath to vapor, When the first rays of the sun strike the cliffs I fill a mug with steaming
coffee and sit in the doorway facing the sunrise, hungry for the warmth.
Suddenly it comes, the flaming globe, blazing on the pinnacles and minarets and balanced rocks, on the canyon
walls and through the windows in the sandstone fins. We greet each other, sun and I, across the black void of ninety-three
million miles. The snow glitters between us, acres of diamonds almost painful to look at. Within an hour all the
snow exposed to the sunlight will be gone and the rock will be damp and steaming. Within minutes, even as I watch,
melting snow begins to drip from the branches of a juniper nearby; drops of water streak slowly down the side of
the trailerhouse.
I am not alone after all. Three ravens are wheeling near the balanced rock, squawking at each other and at the
dawn. I'm sure they're as delighted by the return of the sun as I am and I wish I knew the language, I'd sooner
exchange ideas with the birds on earth than learn to carry on intergalactic communications with some obscure race
of humanoids on a satellite planet from the world of Betelgeuse. First things first. The ravens cry out in husky
voices, blue-black wings flapping against the' golden sky. Over my shoulder comes the sizzle and smell of frying
bacon.
When Desert Solitaire was first published in 1968, it became the focus of a nationwide cult. Rude and sensitive. Thought-provoking and mystical. Angry and loving. Both Abbey and this book are all of these and more. Here, the legendary author of The Monkey Wrench Gang, Abbey's Road and many other critically acclaimed books vividly captures the essence of his life during three seasons as a park ranger in southeastern Utah. This is a rare view of a quest to experience nature in its purest form -- the silence, the struggle, the overwhelming beauty. But this is also the gripping, anguished cry of a man of character who challenges the growing exploitation of the wilderness by oil and mining interests, as well as by the tourist industry.
Abbey's observations and challenges remain as relevant now as the day he wrote them. Today, Desert Solitaire asks if any of our incalculable natural treasures can be saved before the bulldozers strike again.